"Retro Film" - lens adaptor arrives

 Mini project "retro fashion analogue film". The "C-Mount to D-Mount" lens adapter I bought on eBay has arrived. 

Round up time for classic C-Mount lenses. Focal lengths range from 16mm to 75mm. The standard focal length for Standard-8mm is 12mm. We therefore expect these to work as telephoto lenses.

Som Berthiot Paris f=25mm from a Pathe 16mm Camera.

Yvar f=75mm from a Bolex 16mm Camera.

And for comparison, the Meopta original D-Mount "standard" lens with f=12.5mm.

I was especially interested in this Dallmeyer lens with f=16mm as an alternative standard lens. The max aperture of f/1.5 is an improvement over the Meopta original of f/2.8. But it was not to be because the lens structure extends back into the camera behind the C-Mount, and the D-Mount hole is not wide enough to take it.

This raises a question. The C-Mount adapter opens the way to using modern security camera lenses. But do they have this structure? Yes they do for very wide angle lenses which is what we expect. Such is the physics of wide angle lens design that they need to have this.
However the f=8mm that I am most interested in looks promising going by the catalogue diagrams.

Source is the ZLKC Official Store on AliExpress.
https://www.aliexpress.com/item/1005007224185734.html

f=4mm - has an 18mm diameter section extending behind the C-Mount. 

In the photo of the lens, it appears as the black section at the bottom.

f=8mm. This looks promising as an everyday wide angle for Standard-8 cameras, and possibly as a very wide angle for 16mm cameras. 

TODO test! In the meantime here is some similar experimentation by "Shaun" at Fotodiox.

https://www.youtube.com/watch?v=j7WSOPUOLKI

"Retro Film" - Meopta Admira 8E camera

A little project on the go here at IAFilm "retro fashion analogue film". I've bought this Meopta Admira 8E 8mm movie camera made in about 1949. It was seized up with frozen controls and the motor not running. Just on the "off chance" I sprayed the control openings with "WD40" lubricant. I did not expect this to work and I really thought I would need to try to dismantle Admira. But super pleasant surprise! Admira came to life and was all go in only a minute. 

The big attraction of the Admira is its interchangeable D-Mount lens. I have ordered a conversion adapter to the more common C-Mount which opens the way to using a big range of classic lenses as well as modern security camera lenses. 

Removable lens also makes the spray lubricant fix possible. Many 8mm and nearly all Super-8mm cameras have built in lenses with elements deep inside the body so spray lubricant is not a good idea. With the Admira I can get the lens away before the spray.

Katherine Mansfield quotes for the US Election

Move over, Nostradamus. Classic writer Katherine Mansfield predicts the US Election from 100+ years ago.

The gathering storm .. we creep away into our caves of contemplation.

They are terrified of the future but it is never out of their sight. Dark, lean, impoverished it follows on their heels; it has a trick of leaping and suddenly rushing forward.

Strange ideas and theories escaping from their cages and running loose in society.

This is the moment of attention. There never has been such a curious hour.

We are the children of an ungracious and a greedy age. Repetition .. wakes in us a demon of restlessness.

I must say I never in my life felt so entangled in politics. But it's horrible. It's like jumping into a treacle pot.

 Our movie "Brave Love" is based on the writing of Katherine Mansfield.

Press Release (Media Release) - Special Screening of Brave Love the movie

 This initially goes to New Zealand media for a New Zealand event. It is also of interest to literati and aspiring film-makers.

---------------------------------------------------

Kia Ora, [NZ media]

I lead a group that has made a 96 minute movie over the last 11 years. Wildly ambitious for a no-budget indie and amazing that we have completed it. We have hired a cinema to do a screening

https://www.academycinemas.co.nz/movie/brave-love

It appears out of nowhere because we have been buried in animated backgrounds and kiwi ingenuity VFX for years. Now shock! it is complete. Tell the media? Get  it reviewed? I'm giving it a go here! There are 4 big ideas of interest.

(1) Climate Change narrative drama movie. The mainstream is not meeting this challenge so we have stepped up.

(2) Katherine Mansfield sources. This is the one and only single narrative movie based on the writing of classic NZ author Katherine Mansfield.
More ...
https://iafilm.co.nz/shell.aspx?tint=2&areaDir=Public&subdir=1.%20Movies&file=2.Brave%20Love%20Adaptation.html

(3) The imaginary city of Lagado from Gulliver's Travels as the location. 300 years after Gulliver visited, Lagado has struck oil and the ruling class of eccentric professors has the money to realise their mad schemes.

(4) Kiwi ingenuity makes a mock epic with improvised green screen studios. Imaginary world building with computer art was taking too long, so we did some of it with miniature sets made of meccano.
https://www.youtube.com/watch?v=E3DtMnMPCKc

Surprise discovery! “Brave Love” relates to "Megalopolis" which does Ancient Rome retold in the present-ish day. We do Ancient Lagado retold in the present-ish day. We both include classic literature and quotes from Shakespeare. Francis Ford Coppola sold his vineyard to finance "Megalopolis". John Calder sold his daughter's bicycle to finance "Brave Love".

Ngā mihi
John Calder

Megalopolis Review

I have just seen Megalopolis and loved it. So much better than I expected from reviews. I found the story clearly told and well carried by the actions, visual metaphors and performances. It helps to appreciate literature, history, culture and philosophy - woven into this are the words of Shakespeare, Sappho(!) and Marcus Aurelius(!). The scene with featured quotes from Marcus Aurelius is my special favorite. My special thanks to Nathalie Emmanuel for making movie magic of ancient philosophical wisdom. In an age of passive play-it-safe mass entertainment it is so good to have a creatively intense movie for the literati. Excellent visual design of New Rome costumes and settings. Amazing visual metaphors moving into experimental filmmaking territory to depict extremes of emotional elation, loss, grief and near-death moments. If you love Shakespeare, you will love this. If Shakespeare was here today he would create this.  - John Calder

Movie Review: Stranded Pearl

John Calder and Bronwyn Calder with cast and crew of Stranded Pearl at a screening at Event Cinemas Manukau, NZ. 12 Sep 2024.

Producer and male lead actor Aunanda Naaido pulls off an impressive indie achievement to film across a big variety of locations in the Cook Islands. If this very ambitious project was filmed under pressure I can see no sign of it. The cinematography features excellent coverage of points of view. Female lead Kristy Wright has the time and space to take the title character on a personal journey from workaholic corporate leader to a more balanced person becoming aware of environmental issues - a journey triggered by being stranded on a desert island. The vibe through the early and middle scenes reminds me of classic Hollywood romantic comedies like The African Queen (1951) with Aunanda Naaido and Kristy Wright doing a fine job as the new Humphrey Bogart and Katharine Hepburn. The final Act takes a different dramatic direction where of course I cannot say more because of the "no spoilers!" rule. Except to say that one of the many plot twists is borrowed from William Shakespeare and as a Shakespeare fan I gotta love that.

Brave Love: The Problem of Hans

Brave Love is our 96 min Mock Epic movie, adapted from the writing of Katherine Mansfield (1888-1923). More at: Brave Love the movie

KM got a popularity boost at the time of World War 1 by mocking Germans in her early “German Pension” stories. "Brave Love", also an early story has a moment of German mocking. Meet Hans the long-suffering German waiter:

"Madame," said the German waiter appearing from nowhere with a thick bandage round his neck.

"What is the matter now?" said Mildred in a disgusted voice. "More boils again, Hans. Ugh! How dreadful you look."

"Ah, Madame, please to excuse," mumbled the German waiter.

"No I won't excuse you Hans. I'm sure it's because you don't wash."

She scolded him in a hard angry voice that Valerie and Mitka heard all the way up the stairs.

We have been seeing the adaptation of classic works to follow contemporary sensibilities. First it was Dr Suess, then Roald Dahl. Do we now do the unthinkable and censor Katherine Mansfield? Fortunately, Mansfield herself gives us some guidance from later in life. This from a 1920 letter to John Middleton Murry

Bogey I cannot have the German Pension republished under any circumstances. It is far too immature & I don’t even acknowledge it today; I mean I don’t ‘hold’ by it. I can’t go foisting that kind of stuff on the public – it’s not good enough  … It’s positively juvenile and besides that it’s not what I mean: it’s a lie.

We think that a reason for republication was to cash in on the post war unpopularity of Germans. We also take for further guidance, evidence of Mansfield’s sympathy for the Germans in their treatment by the victorious allies. 

A letter, Sunday, October 27, 1918 - To the Hon. Dorothy Brett ([edit] added October 24, 2023)

Really, in spite of all England shrieking and imploring everybody not to make Peace until they've had a rare kick at him and a rare nose-in-the-mud rubbing one does feel that Peace is in the Air.

"It is all about, my sister, Yet it is unborn”

A letter, Saturday, May 1, 1922 - to the Hon. Dorothy Brett

Manoukhin's partner here, a very exceptional Frenchman, started the subject yesterday, said, Why did not we English immediately join the French and take all vestige of power from Germany? This so disgusted me I turned to Manhoukhin and felt sure he would agree that it simply could not be done.

We needed to adapt Hans to fit in to a contemporary corporate workplace. We believe we are true to Mansfield’s later attitudes in removing the negative German moment and turning Hans around. Hans the mocked ugly waiter becomes Hans the honest company accountant mocked by his dodgy colleagues.

This article is an excerpt from "Brave Love” – A contemporary adaptation to film" by John Calder and Gerri Kimber, presented by Gerri Kimber at the Katherine Mansfield Society Conference, Pavillon de l’Erable, 70 Rue du Vieux Ru, Avon, Fontainebleau, France. Friday 13 Oct 2023
Read the complete version here.

"Brave Love", our "Mock Epic" feature. The Synopsis.

Valerie Brandon has a relationship crisis. Her boyfriend Evershed is an oil billionaire who delights in attention-getting showmanship as a climate change denier. But he has a deep dark climate change secret. Valerie is having an awareness awakening triggered by greenie activist Mitka getting into her elite lifestyle bubble. The climate change battle is then fought out in Valerie's relationship with Evershed, complicated further by Valerie's growing attraction to Mitka. 

From director John Calder: ‘My mentor asks "what's the genre?" I say "this is highly original alternative cinema that is beyond genre". The mentor says "don't talk rubbish, what's the genre?". I come up with "classic literature retold as a near-future science-fiction mock epic" or "mock epic" for short.’ 

Satirical comedy takes on climate change sceptics, corporate culture and billionaires. The classic literature comes from Katherine Mansfield: “Brave Love”, “The Garden Party”, other stories as well as letters, poems, book reviews and articles. With support acts from Jonathan Swift and William Shakespeare.

Regarding visions of the future: move over Nostradamus, here comes Katherine Mansfield! 

The big production experiment is to make a no-budget co-op mock epic possible by filming green screen. We report that as a success for filming the actors but we also discover in doing the often animated backgrounds that there is a reason epics have hundreds of background artists in the credits. After many years of epic DIY post-production, it feels surreal and exciting to be submitting to film festivals and meeting our audiences.

"Sliding Door" - green screen filming of actors with a meccano miniature set.

From "Brave Love", our indie co-op green screen climate change mock epic now entering film festivals.

Water Effects - "Old School" wins again.

About greenscreen scenes with water. At the time of filming I was into watering actors with a spray bottle and we imagined the rain etc. Whatever James Cameron is doing is not "trickling down" to indie land that I can see. So I reach for the garden hose.

From "Brave Love", our indie co-op green screen climate change mock epic now entering film festivals.