We printed the first copies of the "Askar" book ourselves. The hardest part was diy bookbinding. Following advice found elsewhere on the Internet gave us books that held together OK, but were very flexible at the spine so that the spine artwork was quickly creased and worn by normal handling. But by experiment 15 we have a method that is meeting the challenge of our rather large 464 page epic.
IN BRIEF - Start with contact glue then cover that with cloth-based gaffer tape.
IN DETAIL - Conventional paperback binding is a complex hot glue critical temperature mass production process that is quite impossible to emulate for cottage industry one-offs. My answer is lateral thinking for the niche unpredictable small demand situation - I have after a lot of trials come up with a cloth-tape spine with contact glue. The result is very flexible rather than having the conventional gutter stiffness and some find it a better lie-flat reading experience. Most people who have inspected examples of both have preferred this version. The minority report was concern that the flexible spine would not last but examples have gone through our test reader program with no problems. Hey it's gaffer tape - my film-making influence shows!
We start by using a cotton bud to paint contact glue eg ADOS F2, PASCO on the spine edge of the block of paper including the covers which are separately cut front and back covers to match the paper size. Let that dry then paint another layer. Then cut a piece of gaffer tape and place that sticky side out in a jig (wooden frame) so that it will align with the book block when we stick it on the spine and wrap it about 10mm over the spine edge of the covers.
Monday, January 7, 2008
Saturday, January 5, 2008
CEV is the sensible copyright Bible
When writing my essay "Ideas and Themes Behind Askar", I needed to quote from "The Bible". Checking out the copyright notices on Bibles I found them surprisingly demanding. The Bible itself is more than 50 years old but publishers claim copyright on their translations. The worst example I saw was the "New International Version"(NIV) which allows even small amounts of quoting only on condition of a LARGE statement at the BEGINNING of any essay or article. IMHO NIV's statement infringes the critical review provision of the copyright law of most countries. This is part of a wider issue. It is quite OK and fair for publishers to say "ALL RIGHTS RESERVED". In my new role as a publisher I do that myself. But the wording that follows on many title pages seems to be an exercise in wishful (or paranoid) thinking that tries to invent diy copyright law that simply does not exist. Electronic versions seem to have more of this disease than printed books. My reaction to the NIV statement was to reject the NIV and search for a Bible with a sensible copyright statement compatible with the APA Referencing standard for quotes where we add brief pointers to a list of sources at the END of the article.
And the winner is .. (ta da!)
Congratulations to the American Bible Society for their Contemporary English Version(CEV).
Wednesday, January 2, 2008
ASKAR as an e-Book
After much discussion and research reading, we plan to publish Bronwyn's fantasy epic ASKAR as an e-Book priced at US$5.00. We are going for a "human relations" approach to copyright issues including writing our own copyright statement . We have decided that our e-Books will NOT have any digital restrictions like license keys. We believe that the most important format issue is to make it as user-friendly as possible for the customers. The package is a zip file containing 4 e-books, that is the content in 4 different file formats. 2 of these are print-friendly pdfs, one for US Letter paper and one for UK A4 paper. One is html format, we expect this will be the most user-friendly for screen reading on most devices. One is .prc format, this is the "MobiPocket" format for the "Amazon Kindle" e-Reader and other small devices like pocket computers.
EDIT (11 Jan 2008) - e-Book on hold - see post above
EDIT (11 Jan 2008) - e-Book on hold - see post above
Sunday, December 23, 2007
Beowulf - John's review
We had a child-free day on Saturday so Bronwyn and I headed off to check out the new IMAX 3D cinema playing "Beowulf".
Bronwyn and I usually agree on movies, often both liking movies that have had negative reviews. eg We both liked "Troy". But not this time. Bron (see below) feels that the Beowulf CGI approach did not work for her. I thought Beowulf was excellent, with the bonus of easily being the most successful and effective 3D feature movie I have ever seen. I am however a techie who appreciates the cutting-edge work these animators are doing and I may be forgiving a few things. The shyness in showing nudity looks foolish at times but that is probably some producer's decision to make more money by avoiding a restricted certificate. IMHO wrong call, this looks to me like an R13 movie awkwardly trying to change gear down to M, but it's a minor point.
On to my appreciation of what is good here. Top marks to the writers for tying the disconnected events of the ancient story together with a new story arc of cause and effect while still staying true to the distinctive elements of the original. The ancient storyline, of the surprising way to defeat the monster Grendel, is well adapted here. Great characterisation, character design and 3D world design. The artists make imaginative use of their medium to bring their ancient Viking world to vivid life.
Some favourite scenes:
Near the beginning where we join Beowulf and his thanes as they ride a North Sea storm on their Viking longboat.
Near the end there is a magic moment where there is a performance in honour of Beowulf and for a few seconds the bard slips into the anglo-saxon language of the original epic.
Recommendation: If you have any interest in CGI 3D art then don't burden yourself with ice-creams etc cos you don't want any distraction from the amazing immersive experience of the opening scenes.
Bronwyn and I usually agree on movies, often both liking movies that have had negative reviews. eg We both liked "Troy". But not this time. Bron (see below) feels that the Beowulf CGI approach did not work for her. I thought Beowulf was excellent, with the bonus of easily being the most successful and effective 3D feature movie I have ever seen. I am however a techie who appreciates the cutting-edge work these animators are doing and I may be forgiving a few things. The shyness in showing nudity looks foolish at times but that is probably some producer's decision to make more money by avoiding a restricted certificate. IMHO wrong call, this looks to me like an R13 movie awkwardly trying to change gear down to M, but it's a minor point.
On to my appreciation of what is good here. Top marks to the writers for tying the disconnected events of the ancient story together with a new story arc of cause and effect while still staying true to the distinctive elements of the original. The ancient storyline, of the surprising way to defeat the monster Grendel, is well adapted here. Great characterisation, character design and 3D world design. The artists make imaginative use of their medium to bring their ancient Viking world to vivid life.
Some favourite scenes:
Near the beginning where we join Beowulf and his thanes as they ride a North Sea storm on their Viking longboat.
Near the end there is a magic moment where there is a performance in honour of Beowulf and for a few seconds the bard slips into the anglo-saxon language of the original epic.
Recommendation: If you have any interest in CGI 3D art then don't burden yourself with ice-creams etc cos you don't want any distraction from the amazing immersive experience of the opening scenes.
Saturday, December 22, 2007
Beowulf - Bronwyn's review
Keep the CGI for Shrek and Toy Story
I can’t imagine computer animation ever working for an adult movie, or at least not one that is meant to be serious and pack a metaphorical punch. I’m prepared to be proven wrong, but alas I don’t think Beowulf is the movie to do it. To put it plainly I found this movie boring.
There’s plenty of action, lots of gee whiz effects, violence, lots of nudity, but it was dull. The only reason I can think of is that the characters, albeit played by mostly quite recognizable and extremely A list actors, were just not interesting. A very fine performance just cannot seem to translate to the screen via the graphics program. It just isn’t the same.
The story was not one I was familiar with, despite hearing about it second or third hand for years. I found the first third particularly almost impossible to watch because a) it was brutal and horrifying beyond belief (do not take your children to this movie) and b) because not only was I watching it in 3D but the camera was spinning around so fast you couldn’t focus on anything.
OK – that all sounds pretty bad. I would say that if it had been live action (obviously some of the effects had to be CGI) and the camera had stayed put a bit more it would at least have been watchable. And it did improve. After Beowulf dealt with the deeply disturbing Grendel (some things are just too creepy for movies) the soulless violence and bleakness eased. Also I had begun to sympathise with Beowulf and his queen, but it took three-quarters of the movie to get to that point. The second monster, the dragon, well he was just plain cool. He still ate people, but it was far less disturbing (these things are totally relative).
John asked me if I would like my book "Askar" (http://stores.lulu.com/askar) made into a CGI movie. The answer is no. If you’re making a human drama, it needs to have humans in it.
I can’t imagine computer animation ever working for an adult movie, or at least not one that is meant to be serious and pack a metaphorical punch. I’m prepared to be proven wrong, but alas I don’t think Beowulf is the movie to do it. To put it plainly I found this movie boring.
There’s plenty of action, lots of gee whiz effects, violence, lots of nudity, but it was dull. The only reason I can think of is that the characters, albeit played by mostly quite recognizable and extremely A list actors, were just not interesting. A very fine performance just cannot seem to translate to the screen via the graphics program. It just isn’t the same.
The story was not one I was familiar with, despite hearing about it second or third hand for years. I found the first third particularly almost impossible to watch because a) it was brutal and horrifying beyond belief (do not take your children to this movie) and b) because not only was I watching it in 3D but the camera was spinning around so fast you couldn’t focus on anything.
OK – that all sounds pretty bad. I would say that if it had been live action (obviously some of the effects had to be CGI) and the camera had stayed put a bit more it would at least have been watchable. And it did improve. After Beowulf dealt with the deeply disturbing Grendel (some things are just too creepy for movies) the soulless violence and bleakness eased. Also I had begun to sympathise with Beowulf and his queen, but it took three-quarters of the movie to get to that point. The second monster, the dragon, well he was just plain cool. He still ate people, but it was far less disturbing (these things are totally relative).
John asked me if I would like my book "Askar" (http://stores.lulu.com/askar) made into a CGI movie. The answer is no. If you’re making a human drama, it needs to have humans in it.
Monday, December 17, 2007
Askar - joys of self publishing
Bronwyn Calder has finally completed writing her epic fantasy novel "Askar" after 20 years working on it. We have been developing a film script version and my students have been creating Askar-themed internet games. What this is leading up to is a new media publishing project.
This gets us into self-publishing which is quite a learning adventure. We are publishing with "lulu.com" which our writing friends like and recommend - thanks Colin and Joss - see it at..
http://www.lulu.com/content/1539440
No e-book version yet. Lots of interesting pros and cons there and a lot of discussion going on amongst us here. A special point here is that "Askar" is big, 464 pages in its Lulu version. Print-on-demand is very cost-dependent on the number of pages so "Askar" becomes relatively expensive as a physical paper book which helps make the case for the e-book. We will probably put up a separate e-book version in a few days. The font/page size for the printed book does not do screen reading well for us, and IMHO an e-book also needs quite different wording for its copyright statement.
We could have reduced the cost a little by going for a smaller font = Garamond 11pt rather than the Garamond 12pt we ended up using. Various people drafted in for their opinion all said the bigger font was worth it.
We needed some copies quickly and with Christmas coming we could not get a print job done in time so we are trying home-printing some examples and we have got as far as the first 4 prototypes. In brief, we were able to buy A5 paper and our modest Brother DCP 115 C home inkjet printer is doing the heavy-duty duplex page-printing job reliably and economically. We can get the covers printed on A3 card at reasonable cost by a copy centre. The fun and games is in do-it-yourself paperback glue binding and we have been trying various kinds of glue. "PVA" and "Contact Adhesive(ADOS F2)" both worked with F2 being a quick process, but the spine comes out rather flexible and so wear-creases appear on it with normal use. The latest experiment with "Gorilla Glue" is looking like the best so far. We also need to try hot glue.
This gets us into self-publishing which is quite a learning adventure. We are publishing with "lulu.com" which our writing friends like and recommend - thanks Colin and Joss - see it at..
http://www.lulu.com/content/1539440
No e-book version yet. Lots of interesting pros and cons there and a lot of discussion going on amongst us here. A special point here is that "Askar" is big, 464 pages in its Lulu version. Print-on-demand is very cost-dependent on the number of pages so "Askar" becomes relatively expensive as a physical paper book which helps make the case for the e-book. We will probably put up a separate e-book version in a few days. The font/page size for the printed book does not do screen reading well for us, and IMHO an e-book also needs quite different wording for its copyright statement.
We could have reduced the cost a little by going for a smaller font = Garamond 11pt rather than the Garamond 12pt we ended up using. Various people drafted in for their opinion all said the bigger font was worth it.
We needed some copies quickly and with Christmas coming we could not get a print job done in time so we are trying home-printing some examples and we have got as far as the first 4 prototypes. In brief, we were able to buy A5 paper and our modest Brother DCP 115 C home inkjet printer is doing the heavy-duty duplex page-printing job reliably and economically. We can get the covers printed on A3 card at reasonable cost by a copy centre. The fun and games is in do-it-yourself paperback glue binding and we have been trying various kinds of glue. "PVA" and "Contact Adhesive(ADOS F2)" both worked with F2 being a quick process, but the spine comes out rather flexible and so wear-creases appear on it with normal use. The latest experiment with "Gorilla Glue" is looking like the best so far. We also need to try hot glue.
Monday, November 5, 2007
Auditions Lesson - learn to txt!
Events around 02 Aug (writeup catch-up). "Askar" is our 106 minute script for an ambitious fantasy epic movie. We are moving on developing it by test-filming about 5 mins of it. I have just read "Five Things I Hate About Microbudget Movies"by "Film Flap":
http://filmflap.blogspot.com/2007/05/five-things-i-hate-about-microbudget.html
and Thing Three is:
"Terrible Acting .. You'd be surprised how many talented actors are out there hungry for work. They will do anything (including work for free) to pad their resume, so use them ...Hold auditions and good people will show up."
This inspires me to step outside my usual network and advertise auditions, bracing myself to cope with the flood of hungry actors. Notices on the walls at a drama school and on the internet discussion boards of the local indie scene and the LARPers. Well, Mr Film Flap, only about 4 responses and zero end result from that! Our cast and crew all came via our own network eg our email newsletter and work colleagues getting the word out to their students and rellies. But a lesson here! I am guessing that as a crusty old last-century-indie-relic, I made a mistake in not understanding how important cellphone "txt-ing" is for communicating with the New Generation. I left lots of voice messages then someone explained to me that they don't get picked up because many people can't afford the cellphone call charge to listen to them and you need to use txt to get people together. I'll try that next time and see if that makes a difference. And Mr Film Flap, if you can read this, do tell what strange and wonderful place you live in with all these surplus talented actors floating around - methinks I should go there to make a movie!
In the meantime I am getting into txt with my cast and crew.
http://filmflap.blogspot.com/2007/05/five-things-i-hate-about-microbudget.html
and Thing Three is:
"Terrible Acting .. You'd be surprised how many talented actors are out there hungry for work. They will do anything (including work for free) to pad their resume, so use them ...Hold auditions and good people will show up."
This inspires me to step outside my usual network and advertise auditions, bracing myself to cope with the flood of hungry actors. Notices on the walls at a drama school and on the internet discussion boards of the local indie scene and the LARPers. Well, Mr Film Flap, only about 4 responses and zero end result from that! Our cast and crew all came via our own network eg our email newsletter and work colleagues getting the word out to their students and rellies. But a lesson here! I am guessing that as a crusty old last-century-indie-relic, I made a mistake in not understanding how important cellphone "txt-ing" is for communicating with the New Generation. I left lots of voice messages then someone explained to me that they don't get picked up because many people can't afford the cellphone call charge to listen to them and you need to use txt to get people together. I'll try that next time and see if that makes a difference. And Mr Film Flap, if you can read this, do tell what strange and wonderful place you live in with all these surplus talented actors floating around - methinks I should go there to make a movie!
In the meantime I am getting into txt with my cast and crew.
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