In learning "retro film" we do tests with stills cameras. It is a quick way to test different films and processes. So these still photos really do relate to film-making.
I can sometimes buy 16mm colour shortends, the unexposed remaining parts of big rolls of film. The colour process is a big challenge and I am focussing on black and white. How does processing colour film as b/w work out?
Now on the TODO list, film something creative with those shortends! As in short comedy sketches which act as team-building test runs for our mad idea of competing in the 48 Hours film-making competition using retro film.
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